|
New
Releases
Top
Video Rentals
Top Game Rentals
Discount
Rentals

Rental
Catalog
Christmas
Catalog
Books
(Half.com)
CDs
(Half.com)
We Pay Cash

Academy Awards
Emmy Awards
Golden Globe
Director's
Guild
Razzies

Trivia
Terminology
101
Easter Eggs

Email Signup
Contact Us
|
|
 Vasu
Video
Port
Townsend's Only Indy Video Stores! Now
Serving Espresso at DragonFire
(939 Kearney St)
|
Highlights for February
(New arrivals
every Tuesday) |
|
|
|
Changeling

|
|
At first, Clint Eastwood's CHANGELING could appear to be
following too closely in the footsteps of his earlier
Oscar winner, MYSTIC RIVER, since both films center on a
missing child. But while his previous film was based on a
Dennis Lehane novel, CHANGELING carries a particular
weight because it is based on a true story, and one that
isn't largely known. Angelina Jolie stars as Christine
Collins, a single mother working in 1928 Los Angeles when
her son goes missing. A boy is returned to her months
later by the police, but she is shocked and disheartened
when she realizes that the boy isn't her son. Joined by a
crusading pastor (John Malkovich), Christine battles for
justice against the corrupt L.A.P.D. while she continues
to search for her child. Eventually her fight against the
cops lands her in a mental hospital, where she is
surrounded by others with a similar plight.
At times, CHANGELING is incredibly difficult to watch.
Jolie gives an authentic, anguished performance, and the
on-screen tragedy is quite disturbing, largely because of
its basis in reality. But Eastwood has crafted another
Oscar-worthy film that is certainly worth sitting through,
even if a tissue or two is required. Screenwriter J.
Michael Straczynski had been best known for his work in
science fiction (BABYLON FIVE) and graphic novels, but he
makes an adept transition to feature drama with this film.
Its unusual focus--on the victim and her struggle for
justice, rather than on the criminal and the crime--brings
further depth to the film. As always, Amy Ryan (an Oscar
nominee for GONE BABY GONE) perfectly morphs into her role
(this time as a prostitute imprisoned in the mental
hospital), and the film's many child actors are compelling
to watch.
|
|
Religulous

|
 |
Bill Maher travels to Israel, England, the Netherlands, Vatican City, and
across America, speaking to people about faith and religion in the very
funny documentary RELIGULOUS. Maher, a stand-up comedian who has hosted
the talk shows POLITICALLY INCORRECT on ABC and REAL TIME on HBO and has
written such bestsellers as DOES ANYBODY HAVE A PROBLEM WITH THAT? and
WHEN YOU RIDE ALONE, YOU RIDE WITH BIN LADEN, reaches out to religious
leaders as well as regular folk on the street, discussing the existence of
God and the importance of organized religion. Maher makes it clear from
the start that he is not a fan of religion and does not believe in God,
and he has fun skewering people who do--including Christians, Jews,
Muslims, and Mormons, rabbis, priests, politicians, scientists,
evangelical ministers, and even a preacher whose church is a converted
truck. He also visits such places as the Holy Land Experience in Orlando,
Florida, where he interviews the actor who plays Jesus in a live show
there, and the Red Light District in Amsterdam, notorious for its
legalized drugs and prostitution. As he has done on his television
programs and in his books, Maher questions literal interpretations of the
Bible, seeing it more as a collection of fairy tales. Director Larry
Charles (BORAT, CURB YOUR ENTHUSIASM) intersperses clips from Hollywood
films about religion to punctuate Maher's points, often to hilarious
effect. The soundtrack is also used effectively, including such songs as
the Doobie Brothers' 'Jesus Is Just Alright,' Ben Folds's 'Jesusland,' and
Billy Bragg and Wilco's 'Christ for President.' Like such Michael Moore
documentaries as FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE, Maher's
RELIGULOUS uses humor--and lots of cynicism and sarcasm--to examine
controversial theories and topics that people feel very strongly about, no
matter what side of the fence they are on. In addition to making audiences
laugh, RELIGULOUS will make them think.
|
|
Blindness

|
|
Brazilian director Fernando Meirelles
(CITY OF GOD) brings Jose Saramago's much-loved novel
BLINDNESS to the screen with this ambitious adaptation.
Like Saramago's book, Meirelles chooses to forfeit names
for his characters, instead spinning BLINDNESS around the
plight of a doctor and his wife (respectively played by
Mark Ruffalo and Julianne Moore). A blindness epidemic
strikes an unnamed city, forcing the government to put
many citizens in quarantine, including Ruffalo's doctor.
Unable to conceive of life without him, Moore's character
feigns blindness and joins him in the grimy high-security
institution where visually impaired citizens are kept.
Their attempt to survive in the rotting facility, which
quickly falls into disrepair and chaos, forms the backbone
of Meirelles's movie. There's a twist in the tale as
Ruffalo and Moore's characters struggle to lead the blind
to a place where they can come to terms with their
condition, and Meirelles makes the journey deeply
unsettling.
An impressive cast ably backs Ruffalo and Moore, including
Danny Glover, Gael Garcia Bernal, and Alice Braga. Their
performances give a palpable feeling of what it's like to
be blind, and even provide a few moments of dark comedy as
they stumble through the institution in which they're
imprisoned. Meirelles's movie, which essentially functions
as an allegory for societal collapse, is an alarming and
often distressing look at the dark side of human nature.
The director often saturates the film with milky white
color, reflecting the bright light the blind see when the
condition besets them. This glare often makes it difficult
to look at the screen, inflicting Meirelles's audience
with a feeling of momentary blindness. An atmosphere of
tangible dread manifests itself as BLINDNESS progresses,
and the ugly scenes of rape and brawling, largely caused
by the meager food rationing among the blind, makes for
emotional viewing.
|
|
|
|
Nights
In Rodanthe 
|
|
Diane Lane and Richard Gere team up for the third time
(after COTTON CLUB and UNFAITHFUL) for this three-hankie
romance based on a Nicholas Sparks novel. Adrienne Willis
(Lane) feels her life falling apart around her: her
unfaithful husband (Christopher Meloni, LAW & ORDER: SVU)
is begging to come home, and her teenage daughter (Mae
Whitman, HOPE FLOATS) can't stand to be around her. When her
friend (Viola Davis, ANTWONE FISHER) asks her to watch her
bed and breakfast in the picturesque town of Rodanthe,
Adrienne leaps at the chance to get away. But since it's
late in the season, there's only one guest: the handsome Dr.
Paul Flanner (Gere), who is quiet about his reason for
coming to the town. Driven together by a powerful hurricane,
Adrienne and Paul find love and comfort in each other's
arms.
|
|
Check
out the other movies coming this month...
|
|
|